1 00:00:34,720 --> 00:00:36,320 A tragedy announced. 2 00:00:38,760 --> 00:00:39,760 What a thud. 3 00:00:43,960 --> 00:00:47,520 Parables like his in this environment they are frequent, nothing new, I would say. 4 00:00:55,200 --> 00:00:57,600 Emanuela, with those eyes she has, 5 00:00:57,760 --> 00:00:59,560 eyes that shine, 6 00:00:59,800 --> 00:01:02,240 shine like a throbbing doe, 7 00:01:02,360 --> 00:01:04,120 the question obviously comes naturally. 8 00:01:04,400 --> 00:01:07,400 Is Emanuela Fanelli a fulfilled woman? 9 00:01:08,880 --> 00:01:11,080 Do you remember Emanuela Fanelli? 10 00:01:11,440 --> 00:01:13,160 - Extravagant. - Polite. 11 00:01:13,280 --> 00:01:15,360 Can I say it? Fellini-esque. 12 00:01:15,480 --> 00:01:16,640 Complete. 13 00:01:16,760 --> 00:01:19,160 - You're crunchy! - Yes! Let's say it! 14 00:01:19,280 --> 00:01:23,560 - Let's say it! - Crispy! I'm Crispy! 15 00:01:24,960 --> 00:01:27,600 This name says little to most people. 16 00:01:28,360 --> 00:01:30,400 For others even less. 17 00:01:30,520 --> 00:01:33,320 He had his moment, a moment... 18 00:01:33,520 --> 00:01:35,840 But how did it arrive, then... 19 00:01:36,280 --> 00:01:37,880 Has she gone? It ended there. 20 00:01:38,280 --> 00:01:40,280 I call them seasonal workers. 21 00:01:40,400 --> 00:01:44,960 For a while it seems as if They don't fit in, they don't make films. 22 00:01:47,360 --> 00:01:49,880 And above all, many, many facets of me. 23 00:01:50,760 --> 00:01:52,240 Then suddenly they disappear. 24 00:01:53,640 --> 00:01:57,440 And after a while you don't even remember what are their names, not even a name, nothing. 25 00:01:57,600 --> 00:01:58,600 Happens. 26 00:02:00,000 --> 00:02:01,000 Oh mama! 27 00:02:01,120 --> 00:02:02,120 What should I tell you? 28 00:02:05,880 --> 00:02:07,840 She faces three years in prison. 29 00:02:07,960 --> 00:02:09,960 How do you feel? How do you live these days? 30 00:02:10,080 --> 00:02:11,480 I'm at peace, Luigi. 31 00:02:11,960 --> 00:02:12,960 A lot. 32 00:02:13,600 --> 00:02:17,680 Today at 52 years old I am at peace. 33 00:02:18,280 --> 00:02:21,240 She put a signature on it, poor thing. He trusted. 34 00:02:21,360 --> 00:02:23,680 Look at that in that story Fanelli was the victim. 35 00:02:23,800 --> 00:02:27,160 But which victim? She was an accomplice in every respect. 36 00:02:27,280 --> 00:02:29,680 We always knew she was a hottie. 37 00:02:31,160 --> 00:02:32,840 Guys, of course... 38 00:02:34,000 --> 00:02:37,600 That was a bad moment right there, eh. She never fully recovered. 39 00:02:37,720 --> 00:02:40,080 How will he get back to work after such an event? 40 00:02:40,200 --> 00:02:42,160 I don't think I'll go back to my job. Thank you. 41 00:02:42,280 --> 00:02:44,920 - Are you taking a break? - Until we meet again. 42 00:02:45,040 --> 00:02:46,840 It won't be a period. Until we meet again. 43 00:02:49,720 --> 00:02:51,960 It was December 19, 2036. 44 00:02:52,280 --> 00:02:53,840 It's been 13 years 45 00:02:54,040 --> 00:02:57,200 since that sudden farewell to the scenes by Emanuele Fanelli. 46 00:02:57,360 --> 00:03:01,320 Today he no longer has a name nothing to do with showbiz. 47 00:03:02,600 --> 00:03:04,600 Indeed, as we all know 48 00:03:04,760 --> 00:03:09,560 Fanelli was the protagonist of one of the most famous judicial cases in Italy. 49 00:03:10,480 --> 00:03:13,200 Not only am I innocent, perhaps I am the first of the victims, 50 00:03:13,320 --> 00:03:15,400 given the personal implications. 51 00:03:27,280 --> 00:03:29,200 In the world of entertainment 52 00:03:29,440 --> 00:03:33,040 the exact same laws apply that govern the universe. 53 00:03:33,160 --> 00:03:36,440 There are planets, constellations, the stars and meteors. 54 00:03:38,680 --> 00:03:42,000 Just one imperceptible is enough insignificant event 55 00:03:42,240 --> 00:03:45,640 why these equilibria are irremediably broken. 56 00:03:46,560 --> 00:03:51,840 So do the stars, even the brightest, sooner or later they are destined to go out. 57 00:03:51,960 --> 00:03:54,680 It's a shame because to me I didn't mind, especially at the beginning. 58 00:03:55,600 --> 00:03:56,840 A real shame. 59 00:03:56,960 --> 00:03:58,120 Beautiful darling. 60 00:03:59,080 --> 00:04:00,360 Oh, sorry yes. 61 00:04:00,480 --> 00:04:02,520 But it's not like we lost this... 62 00:04:02,640 --> 00:04:05,560 It's a shame to have given her opportunities 63 00:04:05,680 --> 00:04:09,240 that others probably would have been able to exploit it better. 64 00:04:10,160 --> 00:04:11,240 Darnit. 65 00:04:11,360 --> 00:04:12,880 We haven't lost anything. 66 00:04:38,600 --> 00:04:42,600 My name is Malcom Pagani, I am 74 years old and I am a journalist. 67 00:04:43,120 --> 00:04:47,440 My job will be to hold the ranks of this ramshackle story. 68 00:04:49,640 --> 00:04:54,160 With the crew we came to Val d'Aosta, a canton of Southern Switzerland, 69 00:04:54,280 --> 00:04:55,640 once belonged to Italy. 70 00:04:57,200 --> 00:05:01,800 Emanuela has lived here for a handful of years away from the news and the spotlight. 71 00:05:03,280 --> 00:05:05,520 And right here we hope to find it 72 00:05:05,640 --> 00:05:09,480 so that it may be his own voice to tell us about the brightest moments 73 00:05:09,600 --> 00:05:13,440 and above all the darkest moments of a controversial career. 74 00:05:17,720 --> 00:05:19,960 - Hello! - Ah, are you Italian? Good morning! 75 00:05:20,080 --> 00:05:23,680 Look, ma'am, we're looking this Italian actress 76 00:05:23,800 --> 00:05:26,080 who lives here in town. I don't know if he's ever seen it. 77 00:05:27,120 --> 00:05:29,880 No, no, I don't have the pleasure. 78 00:05:30,000 --> 00:05:33,960 Making this documentary Was the Fanelli the dream of my life? 79 00:05:34,600 --> 00:05:35,600 No. 80 00:05:36,120 --> 00:05:39,760 But I have a couple of tax bills heavy to cover soon. 81 00:05:45,680 --> 00:05:49,080 If I had followed my wishes, I would have written another documentary. 82 00:05:49,200 --> 00:05:52,720 Yes, that is indispensable about Alberto Moravia and Elsa Morante. 83 00:05:54,200 --> 00:05:58,040 A documentary that I propose again in vain to my producer for years now 84 00:05:58,200 --> 00:06:02,320 and that he constantly bounces with increasingly imaginative excuses. 85 00:06:05,520 --> 00:06:08,960 Then let's be satisfied of this little, dull one of ours 86 00:06:09,160 --> 00:06:11,400 irrelevant, ignoble story, 87 00:06:11,800 --> 00:06:15,160 but at least let's do it starting from the beginning. 88 00:06:30,360 --> 00:06:34,280 Together we could build a more beautiful world. 89 00:06:44,160 --> 00:06:45,880 Your first stage. 90 00:06:46,440 --> 00:06:47,440 Well yes. 91 00:06:48,320 --> 00:06:49,480 Oh mama! 92 00:06:54,080 --> 00:06:55,720 Emotion? 93 00:06:58,160 --> 00:07:00,040 Really nice hit, huh? 94 00:07:01,760 --> 00:07:07,160 I thought, before coming, "it will be an emotion", but staying there is... 95 00:07:09,640 --> 00:07:11,480 Listen, hear the sound of... 96 00:07:12,720 --> 00:07:14,120 Some tables... 97 00:07:16,040 --> 00:07:17,400 For goodness sake. 98 00:07:18,280 --> 00:07:21,400 To poets and musicians who inspired us... 99 00:07:21,520 --> 00:07:23,240 Because if you think about it, here... 100 00:07:23,760 --> 00:07:26,280 Not only are there my childhood memories, 101 00:07:26,400 --> 00:07:28,040 but this is where... 102 00:07:29,200 --> 00:07:31,160 I met my great love. 103 00:07:31,680 --> 00:07:32,680 Just him. 104 00:07:33,440 --> 00:07:34,960 Monsieur theatre. 105 00:07:40,440 --> 00:07:41,440 Hm... 106 00:07:51,440 --> 00:07:53,520 Emanuela, where did you grow up? 107 00:07:54,160 --> 00:07:56,440 So, I grew up in Cordena, 108 00:07:56,560 --> 00:07:58,880 which is a suburban neighborhood of Rome. 109 00:07:59,440 --> 00:08:01,640 But... it's a nice suburb. 110 00:08:01,760 --> 00:08:07,080 Yes, Quirino, I'm here in front of the Fontanile Pontino school of Cordena, 111 00:08:07,320 --> 00:08:10,280 one of the most extreme Roman suburbs. 112 00:08:10,600 --> 00:08:13,520 This behind me is the first institute 113 00:08:13,640 --> 00:08:17,440 which will be able to guarantee literacy of the new local generations. 114 00:08:17,800 --> 00:08:21,080 I mean, it's a residential place, it's not, how to say... 115 00:08:21,520 --> 00:08:24,840 I have no tales of degradation, stories from the Bronx, 116 00:08:24,960 --> 00:08:28,480 a bit in the rhetoric of life suburban, street, no. 117 00:08:28,600 --> 00:08:31,280 Matteo, tell the camera, what do you want to be when you grow up? 118 00:08:31,400 --> 00:08:33,000 The muggings. 119 00:08:33,480 --> 00:08:37,160 What is the first word that comes to mind 120 00:08:37,560 --> 00:08:39,960 coming back here today. 121 00:08:41,520 --> 00:08:42,760 Bud. 122 00:08:43,400 --> 00:08:45,640 Sprout, why here 123 00:08:46,280 --> 00:08:48,760 my talent has germinated. 124 00:08:49,280 --> 00:08:51,960 What's your name and what do you want to be when you grow up? 125 00:08:52,080 --> 00:08:53,080 Look at the room. 126 00:08:53,240 --> 00:08:56,760 My name is Emanuela. When I grow up I would like to be an actress. 127 00:08:58,080 --> 00:09:00,480 Think about fantasy of disadvantaged children. 128 00:09:00,600 --> 00:09:05,520 Even though they are surrounded from discomfort alone, 129 00:09:05,640 --> 00:09:08,800 their mind travels, he really travels into science fiction. 130 00:09:08,920 --> 00:09:11,040 A nice place, a family place. 131 00:09:11,160 --> 00:09:13,120 Rebecca, what do you want to be when you grow up? 132 00:09:13,240 --> 00:09:16,520 Problems with insurance, like dad. 133 00:09:16,880 --> 00:09:19,520 Here, this is the picture, this is tomorrow 134 00:09:19,640 --> 00:09:22,080 and this is the future ruling class. 135 00:09:22,200 --> 00:09:23,800 A place like many others. 136 00:09:23,920 --> 00:09:27,640 We want to thank the principal because it allowed us to talk to them. 137 00:09:27,760 --> 00:09:30,960 - Thank you. - I thank you for coming here. 138 00:09:31,080 --> 00:09:33,680 These are obviously the only ones presentable because... 139 00:09:33,800 --> 00:09:38,440 There is one who has been here for two days over this car! Come down! 140 00:09:38,560 --> 00:09:41,320 - No! - Get down! 141 00:09:41,440 --> 00:09:45,160 - Look, I'll call the police! - I'm not coming down! 142 00:09:45,280 --> 00:09:47,520 - I told you to come down! - I don't want to go down! 143 00:09:47,640 --> 00:09:50,240 - I told you get out! - No! 144 00:09:50,640 --> 00:09:53,680 Little one, for me you are always little. 145 00:09:53,800 --> 00:09:55,720 Eh, maybe, maybe. 146 00:09:55,840 --> 00:09:59,160 - I've followed you since I was little. - Thank you, thank you very much, how nice. 147 00:09:59,280 --> 00:10:01,440 - Meet Monica. - Nice to meet you. 148 00:10:01,560 --> 00:10:04,600 She is the principal and she is an institution right in the neighborhood. 149 00:10:04,720 --> 00:10:08,320 I've always said it that she had to be an actress. 150 00:10:08,440 --> 00:10:12,840 - It is true. - She was a loudmouth. He ran, he sang. 151 00:10:13,000 --> 00:10:15,320 - Then the talent can be seen immediately. - Yes, you can see it immediately. 152 00:10:15,440 --> 00:10:17,880 Come, look what I have here. Look. 153 00:10:18,000 --> 00:10:20,600 No, okay, my photos! 154 00:10:20,720 --> 00:10:24,480 One word to describe Emanuela today. 155 00:10:24,840 --> 00:10:27,040 You are a flower, a fruit. 156 00:10:27,560 --> 00:10:29,760 But maybe I feel like a fruit. 157 00:10:30,200 --> 00:10:31,480 I feel... 158 00:10:31,600 --> 00:10:33,720 a nectarine, yes. 159 00:10:33,960 --> 00:10:37,880 You are the pride of this school. You and Italo, do you remember Italo? 160 00:10:38,000 --> 00:10:39,000 Certain! 161 00:10:44,760 --> 00:10:46,760 Actually, now it's not because he's here, 162 00:10:46,880 --> 00:10:48,920 but when you meet people like that, right? 163 00:10:49,040 --> 00:10:52,280 - The value of teachers, mistreated. - Certain. 164 00:10:52,400 --> 00:10:56,760 Because one thinks, who is the teacher? He's someone who takes three months of paid vacation. 165 00:10:56,880 --> 00:10:59,440 Even, however, if you have these meetings in life. 166 00:10:59,560 --> 00:11:01,720 But not the principal, eh? Not three months of paid vacation. 167 00:11:01,840 --> 00:11:05,360 - No, no! The ballots and the rest. - Eh, let's forget about it. 168 00:11:05,480 --> 00:11:08,240 But if you meet people like that in life, 169 00:11:08,360 --> 00:11:12,880 maybe you would be the last of the last. Instead you meet her, the result? 170 00:11:13,400 --> 00:11:16,600 Who calls it persica, who calls her for coke too, 171 00:11:16,720 --> 00:11:19,920 a bit like how I feel and don't make me say anything else 172 00:11:20,280 --> 00:11:23,480 But she comes off as a comedian 173 00:11:23,640 --> 00:11:25,720 in the... what was it? 174 00:11:25,840 --> 00:11:27,840 In 2020. 175 00:11:27,960 --> 00:11:31,480 I am referring in particular to this... 176 00:11:32,440 --> 00:11:35,640 to this radio program that she led, 177 00:11:37,040 --> 00:11:38,800 Sganasciation. 178 00:11:42,440 --> 00:11:46,920 He taught young people the highway code, 179 00:11:47,040 --> 00:11:49,560 with a satire 180 00:11:49,680 --> 00:11:53,200 which was really cool. 181 00:11:53,560 --> 00:11:57,480 The other day, that son of a candle Bepi 182 00:11:57,680 --> 00:12:00,520 he touched my gondola with an oar. 183 00:12:00,640 --> 00:12:04,560 Commander, I'm trying to avoid the bus 184 00:12:04,680 --> 00:12:08,920 I hit your car, but I'm not guilty. 185 00:12:09,040 --> 00:12:12,880 And he forced me to do it a friendly observation 186 00:12:13,000 --> 00:12:15,360 there, in the middle of the Grand Canal. 187 00:12:15,480 --> 00:12:17,880 This country, my dear, 188 00:12:18,080 --> 00:12:23,280 always gave precedence. To the right! 189 00:12:26,560 --> 00:12:28,240 He could have done without it, 190 00:12:28,360 --> 00:12:32,120 It's not like I felt the need when it was there 191 00:12:32,240 --> 00:12:35,400 or I missed it when he wasn't there, 192 00:12:35,520 --> 00:12:39,040 only that, obviously, if you ask Canova... 193 00:12:39,160 --> 00:12:42,120 Canova thinks differently, Canova says... 194 00:12:42,240 --> 00:12:45,800 His iconic characters who groomed the humorous story 195 00:12:45,920 --> 00:12:47,480 of this beautiful Italy of ours. 196 00:12:47,600 --> 00:12:49,560 Above all Mrs. Fanelloni, 197 00:12:49,840 --> 00:12:51,680 the camorra Nando Contrabbando, 198 00:12:51,840 --> 00:12:55,120 but also the imitation he did by Vanoni was impeccable. 199 00:12:55,240 --> 00:12:56,680 Here, all these things together... 200 00:12:56,800 --> 00:12:59,520 - No, Vanoni imitated Raffaele. - Please? 201 00:12:59,640 --> 00:13:01,400 You said the imitation of Vanoni. 202 00:13:01,520 --> 00:13:04,680 Vanoni's imitation Virginia Raffaele did it. 203 00:13:04,800 --> 00:13:05,800 Oh yes? 204 00:13:09,520 --> 00:13:11,400 Alright, let's leave it like that. 205 00:13:11,520 --> 00:13:14,320 But Nando Contrabando it was Fanelli, right? 206 00:13:14,440 --> 00:13:16,560 Yes, Nando Contrabando was Fanelli. 207 00:13:17,960 --> 00:13:19,600 Of course it was new! 208 00:13:19,840 --> 00:13:22,360 But everything is new in Italy, right? 209 00:13:22,480 --> 00:13:24,280 We are late on everything. 210 00:13:24,400 --> 00:13:27,800 Just think, for example... Renewable energy. 211 00:13:27,920 --> 00:13:29,440 That's something that... 212 00:13:30,480 --> 00:13:31,720 Important. 213 00:13:31,840 --> 00:13:34,560 Instead it is not used, it is not done. 214 00:13:34,840 --> 00:13:36,680 And this is Italy, it's like this. 215 00:13:37,400 --> 00:13:40,840 They were years of great change for feminine humor. 216 00:13:40,960 --> 00:13:43,040 It was pure, revolutionary avant-garde. 217 00:13:43,160 --> 00:13:48,120 In that same period they came out, for example, Terry Ruoppolo. 218 00:13:48,240 --> 00:13:53,560 My mother-in-law the other day, while I was doing the services, 219 00:13:53,800 --> 00:13:56,760 He stares at me with that judgmental look of his 220 00:13:56,880 --> 00:13:58,640 and it sucks. 221 00:13:59,200 --> 00:14:02,120 Terry! 222 00:14:02,760 --> 00:14:03,720 Tie'! 223 00:14:03,840 --> 00:14:07,200 Grab this carrot! 224 00:14:07,760 --> 00:14:10,840 Very strong, with that his inseparable carrot. 225 00:14:10,960 --> 00:14:14,480 And then the iconic duo Sally and Spectra. 226 00:14:15,840 --> 00:14:17,280 Shoes! 227 00:14:17,720 --> 00:14:19,640 Shoes, shoes, shoes! 228 00:14:20,600 --> 00:14:24,120 This was a bit of humorous gota female in Italy in those years. 229 00:14:24,240 --> 00:14:25,880 The podium, let's say. 230 00:14:26,000 --> 00:14:27,600 Sally and Spectra, 231 00:14:27,720 --> 00:14:28,720 Terry Ruoppolo, 232 00:14:29,560 --> 00:14:30,600 Fanelli. 233 00:14:30,720 --> 00:14:32,120 I have to say... 234 00:14:32,280 --> 00:14:36,280 I am... because then we are colleagues, because she is good. 235 00:14:36,480 --> 00:14:40,240 She's good... She was good. 236 00:14:40,360 --> 00:14:43,280 What then, Sally and Spectra they were my favorites. 237 00:14:45,160 --> 00:14:48,200 A nostalgia, "Shoes, shoes, shoes." 238 00:14:50,560 --> 00:14:52,000 Clearly... 239 00:14:53,640 --> 00:14:54,640 I apologize. 240 00:14:55,200 --> 00:14:58,640 When you start to get a grip on the public, then... 241 00:14:59,400 --> 00:15:04,360 At your door, knock advertising inexorably. 242 00:15:08,200 --> 00:15:09,400 Lightness. 243 00:15:12,320 --> 00:15:13,720 Speed. 244 00:15:15,440 --> 00:15:17,280 Many horses. 245 00:15:28,080 --> 00:15:30,280 "When I drive, I drive." 246 00:15:30,960 --> 00:15:33,480 Disruptive, very powerful. 247 00:15:33,760 --> 00:15:36,480 But I wanted to trust of people 248 00:15:36,600 --> 00:15:38,040 and so I said, let's dare. 249 00:15:42,360 --> 00:15:46,400 While you spectators watched these chilling videos, 250 00:15:46,520 --> 00:15:49,760 here in Val d'Aosta our research of Emanuela continued. 251 00:15:51,680 --> 00:15:55,080 Sorry to bother you. I was looking for an Italian actress... 252 00:15:55,840 --> 00:15:58,520 - Sofia Loren! - Yes... 253 00:15:58,760 --> 00:16:01,480 Nothing, there is no trace of her. 254 00:16:04,800 --> 00:16:06,920 Because then, guys, it must be said that... 255 00:16:09,040 --> 00:16:12,080 There are too many of us in this environment. 256 00:16:12,680 --> 00:16:13,840 I don't know, but... 257 00:16:15,200 --> 00:16:18,200 I tell you, this is a world where I don't fit in, do you understand? 258 00:16:18,920 --> 00:16:20,360 There are a lot of us. 259 00:16:20,480 --> 00:16:22,120 Artists, singers... 260 00:16:22,640 --> 00:16:24,480 Careers are like that, they go up. 261 00:16:24,600 --> 00:16:25,920 And they go down. 262 00:16:26,040 --> 00:16:27,680 And there is something to do... 263 00:16:27,800 --> 00:16:29,960 a selection... 264 00:16:31,440 --> 00:16:33,880 A sorting. 265 00:16:38,640 --> 00:16:40,360 No, I don't see myself there. 266 00:16:44,640 --> 00:16:46,640 This must be it, Monica, huh? 267 00:16:48,560 --> 00:16:50,680 I think this is it. Let's go. 268 00:16:51,320 --> 00:16:52,640 For example, I remember... 269 00:17:01,960 --> 00:17:04,000 Do you know how beautiful this place is? 270 00:17:04,120 --> 00:17:07,360 - The wood, the tables, wonderful. - This is a beautiful venue. 271 00:17:07,480 --> 00:17:09,560 - Very elegant. - Yes, yes, yes. 272 00:17:11,240 --> 00:17:13,080 - Look at this beautiful place. - Beautiful. 273 00:17:13,200 --> 00:17:15,680 You now see it bare because you came early, 274 00:17:15,800 --> 00:17:19,120 but when we do karaoke here, there are people like that. 275 00:17:19,240 --> 00:17:22,080 - I have no reason to doubt. - Come and see, come. 276 00:17:25,480 --> 00:17:28,200 Look who frequents this place. Look. 277 00:17:28,320 --> 00:17:31,880 - None other than Paolo Cevoli. - I know Paolino well, of course. 278 00:17:32,000 --> 00:17:35,960 Here we even have the queen of the venue, Samantha de Grenet. 279 00:17:36,080 --> 00:17:38,440 - I know Samantha well, of course. - With me like a sister. 280 00:17:38,560 --> 00:17:40,760 - Yes? - Yes, he comes and goes here, he's always here. 281 00:17:43,200 --> 00:17:44,600 Look, speaking of actresses, 282 00:17:44,720 --> 00:17:49,000 I'm looking for an Italian actress whose name is Emanuela Fanelli 283 00:17:49,120 --> 00:17:53,320 which was famous years ago, then got lost of sight and came to live right here. 284 00:17:53,440 --> 00:17:55,360 - Yes, Emanuela. - Did you understand who? 285 00:17:55,480 --> 00:17:59,680 Yes, he comes every now and then. She always sits there with her husband. 286 00:17:59,800 --> 00:18:01,880 - That small table? - Yes, frame it. 287 00:18:02,000 --> 00:18:05,560 - Do you want a glass of water? - No, thanks, I'll get over it now. 288 00:18:05,680 --> 00:18:09,120 As I told you, I'm right looking for Emanuela with a certain urgency 289 00:18:09,240 --> 00:18:12,960 and maybe, since the town is small, you can help me understand where he lives. 290 00:18:13,600 --> 00:18:16,280 - You know it? - No, I don't know. 291 00:18:16,720 --> 00:18:19,240 - Could you... - I'll try to ask my wife. 292 00:18:19,360 --> 00:18:21,280 Thank you, you would be doing me a favor. 293 00:18:21,400 --> 00:18:22,640 Anna Maria! 294 00:18:36,520 --> 00:18:37,640 Jade... 295 00:18:42,520 --> 00:18:46,120 A journalist has few rights and many duties. 296 00:18:46,240 --> 00:18:51,040 His first duty is to know how to recognize the failure of an investigation. 297 00:18:51,160 --> 00:18:53,040 We couldn't find Emanuela. 298 00:18:53,160 --> 00:18:56,520 So this documentary As it began, so it ends. 299 00:18:59,040 --> 00:19:00,640 - Nothing? - Nothing. 300 00:19:00,760 --> 00:19:02,360 Come on, guys, come on. 301 00:19:06,920 --> 00:19:09,040 The satisfaction of having tried remains 302 00:19:09,160 --> 00:19:11,280 and an important awareness. 303 00:19:11,400 --> 00:19:13,640 The crew is there, two lire too 304 00:19:13,760 --> 00:19:17,240 there is no shortage of arguments and so... let's go! 305 00:19:19,840 --> 00:19:24,120 Elsa Morante and Alberto Moravia they met in 1936 306 00:19:24,240 --> 00:19:27,120 in a café in Piazza Santi Apostoli, in Rome. 307 00:19:27,240 --> 00:19:29,200 It's a meeting of souls, theirs. 308 00:19:29,320 --> 00:19:31,520 - Two souls destined to meet... - Hey, sorry! 309 00:19:31,760 --> 00:19:32,920 Excuse me! 310 00:19:33,040 --> 00:19:35,280 - Come here! - Come on, guys. 311 00:19:36,160 --> 00:19:37,640 Tell me, tell me everything. 312 00:19:39,360 --> 00:19:42,400 Anna Maria she remembered where Fanel is... 313 00:19:44,560 --> 00:19:46,040 What happened? 314 00:19:47,400 --> 00:19:51,880 I told him if he wanted some water. He had been coughing for about twenty minutes. 315 00:19:52,120 --> 00:19:53,120 Discover the pulse. 316 00:19:54,160 --> 00:19:56,640 - He's a relative. - No, I'm the operator. 317 00:19:56,760 --> 00:19:59,040 We're making a documentary on Emanuela Fanelli. 318 00:19:59,160 --> 00:20:01,760 Do you remember it? The actress who... 319 00:20:02,400 --> 00:20:03,400 Come, Monica. 320 00:20:06,440 --> 00:20:07,440 This is it, huh? 321 00:20:08,200 --> 00:20:09,640 It could be this. 322 00:20:29,440 --> 00:20:30,720 - He doesn't answer. - Allô? 323 00:20:30,840 --> 00:20:32,560 - Emanuela! - Oh? 324 00:20:32,680 --> 00:20:34,440 Hi, I'm Malcom Pagani! 325 00:20:34,920 --> 00:20:38,920 I'm here with a small crew, we wanted to do a little interview with you. 326 00:20:45,760 --> 00:20:48,160 - He attacked. - Did he hang up? 327 00:20:57,440 --> 00:21:00,440 - It opened! - He opened, come, come! 328 00:21:22,720 --> 00:21:23,680 Good morning. 329 00:21:23,800 --> 00:21:24,800 Good morning. 330 00:21:25,320 --> 00:21:29,720 This will be an informal chat, in total serenity. 331 00:21:29,840 --> 00:21:32,200 So please, I ask you to stay calm. 332 00:21:32,320 --> 00:21:34,800 We just have to talk a bit of Emanuela. That's all. 333 00:21:36,120 --> 00:21:39,400 You shared the success of a film, "There's Still Tomorrow" 334 00:21:39,520 --> 00:21:43,200 which had a great success. I guess it was a beautiful thing. 335 00:21:43,320 --> 00:21:44,320 Yes, beautiful. 336 00:21:45,440 --> 00:21:49,760 So Emanuela is linked to good memories. That's correct, right? 337 00:21:50,440 --> 00:21:52,400 Yes, for "There's Still Tomorrow", yes. 338 00:21:54,000 --> 00:21:58,120 But then what happened next It clouded everything a bit. 339 00:21:58,800 --> 00:22:02,320 So, frankly... I struggle to distinguish, that's it. 340 00:22:02,440 --> 00:22:04,400 Okay, now we're getting there. 341 00:22:04,520 --> 00:22:08,440 In the meantime, thanks for being here and for the time you can dedicate to it. 342 00:22:08,960 --> 00:22:10,160 Thank you so much. 343 00:22:10,280 --> 00:22:11,280 President. 344 00:22:39,760 --> 00:22:44,640 Listen Emanuela, you start with the theatre, cinema, TV series in small roles. 345 00:22:44,760 --> 00:22:47,760 Let's say we saw you, but you weren't that recognizable. 346 00:22:48,560 --> 00:22:49,520 Yes. 347 00:22:49,640 --> 00:22:52,480 As happens to everyone at the beginning of their career, 348 00:22:52,600 --> 00:22:56,400 when you start taking your first roles, to do the first things. 349 00:22:56,520 --> 00:22:59,280 Yes, I have been for a while at that stage... 350 00:23:00,000 --> 00:23:03,720 As if to say, you know when you see someone and say: "Oh my God, where did I see this? 351 00:23:03,840 --> 00:23:05,560 What did he do?" 352 00:23:05,680 --> 00:23:08,120 "But who? The one in the blue suit?" 353 00:23:08,240 --> 00:23:10,720 "No, the one nearby in ocher. Come on, you know her too." 354 00:23:10,840 --> 00:23:12,760 "No, I've never seen her." 355 00:23:12,880 --> 00:23:16,520 "Yes, you with the faces you're at zero." 356 00:23:16,640 --> 00:23:20,600 "Do you know who he looks like? To Ines' daughter." 357 00:23:20,720 --> 00:23:24,160 "No, that one has a lazy eye, he has a blindfold. 358 00:23:24,280 --> 00:23:25,840 I can't confuse her with this." 359 00:23:25,960 --> 00:23:28,120 "If you see her without the blindfold, it's the same." 360 00:23:28,240 --> 00:23:31,280 “Because you always reduce everything to your little world 361 00:23:31,400 --> 00:23:34,400 made up of condominiums, doorman, daughters of Ines? 362 00:23:34,520 --> 00:23:37,480 Why don't you open your eyes, the horizons? 363 00:23:37,600 --> 00:23:41,200 You have always remained small. Do you know why? Now I want to tell you. 364 00:23:41,320 --> 00:23:43,320 Because you always thought of yourself as small. 365 00:23:43,440 --> 00:23:46,960 Then you come home at night and cry because Manzini got the promotion and you didn't. 366 00:23:47,080 --> 00:23:49,360 - Who knows why!" - "There it was, I knew it. 367 00:23:49,480 --> 00:23:51,960 For you every occasion it's good for humiliating me. 368 00:23:52,080 --> 00:23:56,440 You are ruthless. I have too the demons to fight." 369 00:23:56,560 --> 00:24:01,480 “Get the fabric softener and get it over with. 370 00:24:01,600 --> 00:24:05,120 With you it's like talking to the wall. You never question yourself. 371 00:24:05,240 --> 00:24:09,520 You never say, 'I was wrong.' No, it's always the others. 372 00:24:09,640 --> 00:24:12,360 Then you always let me pass for fool in front of everyone. 373 00:24:12,480 --> 00:24:16,320 Don't get rid of this habit. Do you know what I do? 374 00:24:16,440 --> 00:24:18,520 I'm closing the place and the puppets and I greet you. 375 00:24:18,640 --> 00:24:22,000 Then I want to see where you go to cry. From Ines' daughter, perhaps." 376 00:24:24,160 --> 00:24:28,200 Here, let's say that I was at that stage of my career. 377 00:24:29,160 --> 00:24:29,840 Sure. 378 00:24:34,000 --> 00:24:35,840 Subtitles: Audio Laser Service s.r.l.